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Music, Emotion and Shared Experiences

photo by you.

Education and Research – Facebook productivity.

So Alexis, you don’t know her – so I’ll tell you about her – wicked intelligent and apparently a lecturer/professor. Not much more I can be reasonably sure about, since I haven’t spoken to her since 1990, but have connected via Facebook and randomly interacted and those are my impressions. A recent Facebook note I caught from my news feed represents an interesting way to engage the network and leverage the value of the relationships. Normally I would have missed the note, but the title required a click – “music as mood-altering”. So Alexis used Facebook as a follow up/drill down on input she received in her class as an educator – kinda cool social media use case. Connectivity and access to a network can produce some interesting stuff and I think her topic/question should definitely have a response. So with that baseline, Alexis asked her network the following in the Facebook note:

This semester I’m teaching a lower-division undergrad class on language and music. The topic for the past week has been music and emotion, and we’ve looked at a couple of attempts to somehow make concrete our understanding of the mechanisms through which music can pack such an emotional wallop. Some of the mechanisms people have proposed:

  • mimicking or alluding to emotional signals of the world, e.g. fast tempos convey excitement, echo the way our hearts pound when we’re excited
  • invoking personal associations
  • connecting with the responses we have to structures changing and unfolding over time

I’ve heard a lot now about my students and their emotional experiences with music, but what about you, my friends? Does it even makes sense to seek specific musical correlates to specific emotions? How universal (or individual) are emotional responses to music?

What an interesting way to leverage social media from an educational perspective. Not sure if this was the goal, but ultimately this event could be loosely or not-so loosely defined as primary research. Sampling could be an issue. Dewy Wins!

Music and Emotions

This question makes for a timely thing having just got back from spending a weekend with friends watching live music all weekend which was accompanied by shared emotional responses with say 8,000 other folk. I have the habit lately of keeping my own setlist mainly because I can’t get out as much with 4 kids to see live music and to refer to in meetings, at airports or with friends. For me the setlist represents not just the songs, but also the experience which definitely invokes emotions. The setlits conjures up items about the event/evening, a given song’s association, the people and what I’ve actually documented about a given line item. Below are two examples from this week’s venture out to see Widespread Panic, it also represents my answer to the question posed. Typically I would edit before I post, but in the name of research/content analysis….verbatim below:

10/17 – WP – ATL -Lakewood
Set 1
Worry
Drum thing into. Hatfield
Ribs n whiskey
Glory.
Sleepy monkey.
Going out west
Morning dew
Rebirtha slow.
Red beans

Set 2 9:34
Airplane.
Long jam> vacation jimmy killed it
Bears gone fishin
Pigeons
Randall bramlett?. Mega blasters old neighborhood

Chest fever.
Arlene
Bust it big.
Weight of the world.

Encore.
Walking

10/18 Atl 7:29

Set 1

Mr soul

OAS

Drum thing. Into Fishwater big

Last straw

Alg

up all night bramblett mega blasters

New tune/ dance needs no body. Long and boring

You should be glad

Ophelia.

8:35

Set 2 9:16

Chilly

You got yours

Blight huge

Rhm

Angels on high. Lame

Momma told me not to come.3dg

Superstition mega blaster

Tall boy mega

10:22

Encore

Randall. Jb is late

Picking up pieces

North

Pilgrims

Wondering

10:57

The funny thing about reading your setlist later, no matter what I’m doing or where I’m at it — even thought of music is mood altering.

Random proof-point: In the Fox News clip below you can clearly see music alters the Anchors’ moods.   I’m not so sure about the chunk of coal reference, but they could turn Jimmy down a little.

Complexity: The Context of Identity

The emergence of new technologies continue to change how many of us – as individuals, business folks and our online identities management of our interactions and information is becoming increasingly more complex. Ultimately, online identities can represent people, companies, products and brands. Identity online is becoming more like a house of brands, than a branded house for many of us. The complexity of managing a portfolio of identities/brands is becoming increasingly more challenging as we engage our personal networks, customers and business networks. Context and the complexity of context is making it even more difficult.

Context Defines Identity?

So I was watching The Soup the other day and I was generally amazed at how many of the personalities/identities I actually knew. The problem is I only know of these identities/celebs because of the Soup. I have no other context, except for Anderson Cooper, who wase featured on one of the more entertaining segments in the episode I just got to watch thanks to Tivo. The other thing which has got me to thinking about identity is some work I have been doing with ASC X12 and the context of where the market is, where the organization is and where it needs to go. These two things got me thinking back to how can context of a given set of interactions impact identity or the management of identity.

100_0772 by you.

The Echo Chamber

Context is one of the more interesting challenges of identity and I as a user of many platforms have way too many context sets to manage. I’ve spent a great deal of time trying to streamline my online experience of late, but have been challenged to keep up with the pace of network specific interactions. My initial streamlining was related to getting yet another ID at ping.fm to help keep a consistent pulse across my networks and for that use case it works. The problem with ping.fm is that it is not conversational – you end up with orphaned replies on Facebook, twitter and other social networks.

Leveraging a tool which only speaks AT others rather than listening too is not a good thing for maintaining and developing relationships… With Ping.fm you end up with replies which echo into silence, until 3 or 4 days later when you check in at that given platform. Privacy and conversation are key drivers of the increasing identity crisis folks who are attempting to manage identity online with one way updates just doesn’t solve for.

Do I want my professional network to know the same thing my personal network know? How many networks do I need to update with my the latest picture of my kids?

The 4 P’s of Identity

When thinking about the say 8 accounts I commonly use, the ability to engage AND manage the relationships, responses and outreach can be a daunting task. Beyond the basic administrivia of each account, the challenge of trying to understand how to manage the mix of my activities and platforms continues to grow.

While ping.fm is interesting, it mainly is a broadcast tool, unless there is some well hidden feature I can’t find.   As a tool, it only represents the ability to consolidate presence, not the ability to manage platform capabilities, promotion and placement. Identity as a brand or product is essentially what develops in each of the channels you participate in. If each instance of identity becomes a product, that means as platforms change, people migrate and new capabilities are available on a single platform identity/brand equity is diluted and management gets more complex.

So what are the 4 P’s of identity?

  • Platform – The holder of the ID account from a technology perspective is commonly the definition of a given platform. Typically platforms have unique account management and network capabilities which are not open, for the most part, for third party management.
  • Presence – The capability set typically associated with where you are and what you are doing. Twitter or the Plurk are good examples of platforms which support presence.
  • Placement – Group membership on a platform is one way to look at placement, but as are the ways which you allow to be contacted or how you can be engaged in context of group or platform.  On some platforms you may expose email, others you might constrain to the core messaging option, such as inbox messages or the wall on Facebook.
  • Privacy– Each platform, identity and group has privacy management attributes and rules which need to be managed. The management of privacy is uniquely related to the relationship you have in context of a platform and group.

100_0756 by you.

Why is identity such a challenge online?

If you share content online, it doesn’t go away.   However, if you share something at a dinner table it might be moved from memory, but it definitely isn’t a broadcast or a sustaining reality.  Just imagine if that incredibly stupid thing you said after your 3rd bottle of Silver Oak lived on forever?   It is the broadcast and permanency of content/interactions which make managing context and identity a far more complex thing. As an example, my offline identity is pretty much Jon and maybe a couple of nicknames, each with their own context, but mainly that context isn’t necessarily shared, even if the moniker is used more widely. I recently got a new nickname, Echo, while a seemingly fun name and definitely has an affinity to who I am that identity has no context outside of 3 people, the adoption is getting wider than expected.  While Echo usage is growing, the context isn’t being shared.  On some level the visibility of context is greater and can be shared, not so much in the real world.

The key challenges of managing the 4 P’s of identity are unique to being online and the fragmentation, management and interaction requirements require some type of solution.  Technologies to update, integrate and provide security/authorization are out there, but a great deal of work is needed to actually manage, protect and OWN your data.  Perhaps interoperability isn’t enough, we need to also support portability to better manage identity.


DataPortability – Connect, Control, Share, Remix from Smashcut on Vimeo.

June 7th – Relevant Links

Sharing the links for the day: